Ive had the freya+ for about 3 years with Ray tube selects and XLR connections..

This P75 is SO NICE, better than the frayer+ in every way,
BLACK background, concise separation, larger than the room imaging, everlasting sparkly highs, punchy grunty lows and textured layered mids, this is after about 200 hours with the stock tubes.

Thank you Thomas.

An acrylic or glass top would have made this a center show piece.

I know I am late to the party but still, I must confess that Galion TS A75 surprised me. I have learned over the years not to ride the hype trains so easily but man I am happy I got into this one.
My Audiovector R3 Arrete speakers are very demanding, not in driving capability, but in sound quality. They have the tendency to expose every little flaw in the chain so I didn't got my hopes up when I ordered this amp but ordering in Europe with 30 days return policy definitively helped. They worked pretty well with a Benchmark AHB2 and the matching preamplifier LA4, with squeaky clean sound coming from a black hole.
When I first powered the Galion A75 the highs from those AMT drivers were killing me and the bass was a bit mushy. I gave it few days, things started to settle but still the highs were distracting, not harsh but still too much. Then I remembered that everything was tuned for the other amp so I started to look on the cables and I removed 2 rhodium connectors and everything snapped into place. That's all I did after almost 5 days and this baby can sing so beautifully. Articulate and communicative. I still cant believe that I have such a delicate and open sound with thundering bass and airy highs. Is like having full range drivers, you can really hear a pin drop. I found myself enjoying it so much and I still believe that it will improve further not that I am missing something, just that I haven't seen any piece of hardware, so far, to settle under 200 hours at very least. It is already so musical without giving up technicalities. Usually in this price range you get one or the other. This has no right to sound that good for this kind of money. Its a unicorn.
Another important thing for me is that A75 is much cooler than AHB2 even inside a cabinet, so is very well built.
Thank you Thomas for bringing this beauty to the market at this price!

These cables are very nice! the ends are well made, and the cables are top quality. And I like the way the sound in my system.

I like this amp! it sounds great! All the reviews are right.

Tha Galion P75 is still a significant jump from my modded Freya+. My initial impression was holy sh*t! The bass! Just unleashed a lot more bass I didn’t even know my speakers had in them. Greater dynamics, an even darker background. Beautifully smooth detail without the occasional shrill highs I was experiencing. Thomas really nailed the balance of getting as much detail without being fatiguing on the high end. Just a solid addition to the A75 amp. I can’t wait to tube roll and get even more performance out of this thing, but it’s just fantastic out of the gates.

I use upgraded power cables on both devices. Using Pangea 14 and Pangea 9 cables.

I waited to write this review, as I was struggling with noisy electric in my old house. I have both the Galion amp and pre-amp. Now that everything’s burned in and my electric problems are fixed (dedicated line, Furman IT 20i) I can say that I love the sound of the Galion combo. With the Eversolo DMP A6, Paradigm 75Fs, silver Kimble interconnects and speaker wire, I have been listening to my stereo almost all day long, every day. I can’t believe the openness, clarity, taut bass, fun punchiness without fatigue. I mention the equipment because it all comes together perfectly, including the power conditioner. The Galions cleaned up the sound and I could hear each improvement as I made it. I was going to replace my speakers, but I don’t want to spoil the perfection! 😍

The Galion TS34 is an excellent sounding integrated amp. Great soundstage and separation of instruments. Solid bass, detailed mid range and clear and smooth treble. It offers Class A and Class AB operations. The auto bias is a great feature. I think so highly of the Galion TS34 that I’m selling my $12,000.00 German made integrated amp that I have had for many years.
Gary

This amp is absolutely mind blowing! Everything about it is so awesome! The bass and dynamics are amazing paired with its hint of warmth to really give you that amazing coherent sound.

I hesitated writing this review because my system is bi-amped and I only use the A75 for the mids and highs. However the results are so good that I feel compelled to write a review, just understand that there will be no mention of bass performance.

The system is not your usual hifi system. The speakers are high-end DIY and the electronics are a Roon Nucleus end point, the MiniDSP SHD, the A75 and a high power (450 watts per channel) Class D amp. The speakers use a compression horn, a 10" mid/woofer and dual 15" woofers per side. This is an open baffle design.

The system has been up and running for a little over 6 months. Being an audiophile, I've thought of next steps, but have come to the realization that there is no upgrade path for this system. The resolution is tremendous; all you hear is the recording. If the recording is bright, you hear it. You know where the mic(s) are placed. The soundstage depth, width and height varies with the recording. The center channel image is strong and placing instruments and singers within the soundstage is easy to hear and locate. Sometimes you can even hear an artist breathing hard as he/she plays. All the details are there.

And that is the double-edged sword of resolution. This system, of which the A75 is a big part, simply soars with good recordings. I could not ask for more. However...on lesser recordings, all the flaws are laid to bare. Not harshly, but they are there. This system will not hide flaws. As a result, I mostly listen to well or very well recorded music on this system.

My wife, who is not an audiophile, on occasion, will ask to listen to a song she likes on my system. The first time, she was asking why certain instruments just cut out abruptly. I explained that this is the way the song was mixed and the engineer never thought anyone would hear it. The second time, the recording was so bad neither of us could stand it. She said the song sounded better on her iPad. She played it for me on her iPad and she was right. You could rock to the music with all the flaws in the recording well hidden.

The A75 is a surprisingly high-end component for its price and I doubt that it would hold back any high resolution system. The highs are well extended and not harsh and the midrange is deep and rich. But it will not hide flaws in the recording or the choices that an engineer makes such as having a jazz ensemble with the instruments separately mic'd and the bass player who was on the left is now center stage because his solo has come up and the engineer switched to his mic, collapsing the soundstage.

We all have music that we love that is just not well recorded. You will find yourself listening to that music with a lower resolution system that does not capture the flaws in the recording. The A75 is a worthy addition to a high resolution system. But it can be a reminder that sometimes you just don't want a system this good.

I recently purchased a Galion TS-a75 amplifier which has both RCA and XLR inputs. Since the Galion XLR’s are very reasonably priced, I thought I’d give them a try . It’s my understanding the TS -A75 is designed to sound its best using XLR’s. I was not prepared to hear such a clear difference. The Galion XLR’s outperform my RCA’s that cost TEN times as much, and from a highly regarded company. The Galion’s are superior in virtually every sonic category; and it’s not even close. The Galion XLR’s are a lot like the Galion amplifier in that they are both an absolute steal for their asking price. Of note, when I ordered online it looks like the only choice for these is 9 ft. However, the pair I received are 1.5 meters ( even better as I didn’t require longer IC’s). Anyway, to be fair I don’t know how much of the difference is due to the amplifier being designed to sound better with XLR’s, or how much of it is because of the XLR’s themselves. But what I do know is that I very much prefer listening via the Galion XLR’s over the TEN times the cost RCA’s!

Elegant design, well constructed, easy to assemble, what more could you ask for !

I am listening to the A75 as I type my comments here.
Yosi Horikawa - Vapor on Cd. It is an exquisite album of lush soundscapes that is presented so well. The ringing bells, atmospherics and especially the string bass on cut 14 - ‘Stars’ is incredibly realistic. Boris Blank’s Resonance and Yello’s Stella truly reach air as well.
But!!!! That was after the break-in. My initial impression was - how much is it going to cost to ship it back! The sound image was so forward and in my face that it was almost uncomfortable. I have been listening to a Marantz Cinema 40 on my Polk R700 towers and they never sounded ANYTHING LIKE THIS! You get my drift.
So I waited. and listened. and changed speakers and cd players and cables and preamps and at or about 108-110 hours the first relaxation of the sound happened before my very ears. Like the starship Enterprise popping silently onto your tv screen after warp. Just, there. The bubble expanded and I physically felt the change. The next was on day eight. That is when the BASS decided to show up to the party. No more distant friend; but an intimate and close encounter thump through the oak floor. Still maintaining that tightness. The amplifier has been reviewed to the gills so if you don’t know what this Canadian is packing you should know it is palpable and powerful. I am spinning with a Pioneer 1999 6-disc (warm, fuzzy) cd /skw copper ofc rca’s and a Shanling Et3 Cd transport/Audioquest Vodka optical cable to Shanling SM1.3 streamer/Mogami platinum XLR’s to Vincent Audio SA-32/XLR to TS A75. I am very happy with this purchase. The sound of my A75 continues to evolve and for the speakers that like deep current (with zero ripple) this is a great pairing. I also have several tube amplifiers and I enjoy having the contrast of this amplifier. I rebuilt 1989 and 1997 Cerwin Vega speakers (Miflex KPAL’s, ClarityCaps -red, Mundorf ZN, Pure 999 silver wire) and the A75 amp pushes them to block rocker status. I would recommend this amplifer to anyone with a taste for Fostex drivers. The sound signature to me is similar to my TH900 mk2 headphones but even more V-shaped and forward. Again. I followed Thomas’ advice on the break-in period and he was spot on with the time factor. These are big caps and lots of them. They will get better with age.
Thanks for a great unit.
D. Seebeck R. Ph. / Classical Bassist

I took delivery of the Galion TS A75 yesterday, and after a long listening session, I can confidently say I’m extremely satisfied with the purchase. This unit replaces my much-loved Krell KAV-300i integrated amplifier, which has served me faithfully for the past 25 years. The Krell was a powerhouse—dynamic, rich through the mid-range, and remarkably punchy for its price point. I tested many amplifiers at the time, some more expensive, others more affordable, but none matched the Krell's drive and presence.

However, as with all electronics, time took its toll. Left on nearly every day since purchase, it ran hot and eventually developed some noise in the right channel due to ageing capacitors. I considered a rebuild but, once I factored in the cost, it no longer made sense given the quality of modern alternatives.

A high-end McIntosh was recommended to me, but I couldn’t justify spending over $AUD10,000. I came very close to purchasing the Cambridge Audio CXA81 MKII after reading some strong reviews. But then I came across the Galion TS A75—an amplifier I hadn’t heard of but which immediately caught my attention.

What drew me in was its design philosophy. As someone who prefers solid-state to tubes, I appreciated the Galion’s engineering—particularly the inclusion of large toroidal transformers and a total capacitance of 200,000µF. These specs spoke volumes to me. Further reading confirmed what I was hoping for: reviewers praised its sweet midrange, tight bass, a touch of warmth, and excellent transparency.

Ordering the Galion was a leap of faith. It's designed in Canada but manufactured in China, and returning such a heavy unit internationally would have been challenging. That said, I was reassured by the build quality described in other reviews and decided to take the plunge.

I'm glad I did.

From the moment I unpacked it and started listening across a range of genres, the Galion impressed me. The soundstage is expansive and immersive. The mid-range is smooth and sweet—just as promised—and the detail retrieval is outstanding without ever becoming harsh or fatiguing. Bass is well controlled, and there’s a warmth that makes long listening sessions enjoyable rather than clinical.

If I were to offer one critique, it would be that the initial punch doesn't quite match the 150 watts of the old Krell—it’s slightly less immediate in that regard. However, the Galion more than makes up for it with its finesse, clarity, and musicality. It’s simply a joy to listen to.

Over the years, I’ve auditioned many amplifiers—some ultra-linear and reference-grade units that are technically impressive but end up sounding sterile or overly analytical. What I wanted was an amplifier that made music enjoyable" to listen to. The Galion TS A75 does exactly that, and at a price that’s frankly remarkable for what it offers. If another brand were selling this, I suspect it would be listed for at least double.

In summary: if you're looking for an amplifier that offers outstanding value, wonderful musicality, and serious engineering under the hood, the Galion TS A75 is an easy recommendation.

My TS P75 sounds fantastic better sound stage, more airy sound, more detail, I been using the Threshold T2 Preamp (and my TS P75) sound much better for the $$$ you can not go wrong,
My Power Amplifier is a McIntosh 225 sound great whit the TS P75 I’m very Happy 😊